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Monday, October 16, 2017

Constitution Daily: NCC Staff- Looking Back: George Carlin & The U.S. Supreme Court

Source: Constitution Center-
Source: This piece was originally posted at The Daily Review

The blog writes a lot about political correctness and fascism, because we write a lot about comedy and write comedy ourselves and without free speech which is what political correctness and fascism tries to restrict (obviously, duh, you don't say!) there would't be any comedy and even political satire. Which is why I'm always amused if not confused when so-called left-wing comedians and other entertainers make calls for political correctness because they think some material is offensive.

Because without free speech there wouldn't be any comedy. I mean, if political correctness ran this country instead of the First Amendment, comedians wouldn't be able to crack jokes about anybody. Especially the people who deserve to be made fun of. Like our politicians, just to use as an example. Entertainers attacking free speech is very ironic. Because speech is what fuels comedy, as well as self-awareness and what's going on around you in life. Even comedians have stood up for political correctness against free speech, like Michael Moore and others. Even John Oliver, Stephanie Miller, John Fugelsang, would be other examples.

A comedian attacking free speech, is like a race car driver saying oil and gas are bad for the environment and therefor should be outlawed. Oil and gas literally fuel that race car driver's career. Without it, he might be flipping burgers or selling lemonade. Or a pro football player saying football is too violent and therefor tackling should be outlawed. Who would go watch professional flag football? As the great comedian Mel Brooks has said political correctness is destroying comedy because comedians are worried about offending oversensitive tight asses, who think they're the only perfect human beings on the face of the Earth who don't deserve to be made fun of. Brooks has said political correctness is destroying comedy. The second part is my line.

George Carlin is not the first victim of political correctness when it comes to comedy. You could argue at least that Lenny Bruce back in the 1950s and 60s has that uthonorable title. But George and Lenny, are from the same generation. Lenny would literally go on stage using cuss words as part of his act and I'm not talking about hell or damn, but he would talk about sex and talk about how people would have sex with each other and put it bluntly. And then would literally be arrested on stage for using foul language. George has  a similar but different story.

George would go on stage and literally use words like shit, fuck, mother fucker, mother fucking fucking, and others and these were part of the so-called seven dirty words that comedians weren't supposed to use in Phyllis Schlafly's 1950s America, where you weren't even allowed to say God, Jesus, and hell, at least not on TV.

Liberal democracy which has a practically guaranteed right for free speech in America under are First Amendment. The only exceptions having to do with falsely libeling, inciting violence, or harassment, like leaving obscene message on someone's voice mail, to use as an example. This is not the place for oversensitive tight asses who look at the mirror and only see perfection. Or have a glass jaw for an ego and can't take the smallest bit of criticism without breaking out in tears and flooding their homes from all of their perspiration. I don't know, maybe Canada is a country for people like that.

If you don't like offensive material, then don't watch it or listen to it! Only watch PBS and C-SPAN if you can't handle criticism about yourself and groups you believe have constitutional protection not to be criticized that no one else has. With liberal democracy comes a lot of individual freedom, but with that comes responsibility and the fact that you're not the only one who lives here and you have the same freedom and responsibility that everyone else has. And might from time to time hear and see things that you disapprove of. But so will everyone else.



Monday, October 2, 2017

The Onion: Revelations From Hillary Clinton's New Memoir- What Happened


Source: The Onion-
Source: This piece was originally posted at The Daily Review

What happened? Hillary Clinton might be the only person asking that question as far as how she's the first American presidential candidate to ever lose to a reality TV star who for the last 35 years in Donald Trump's case is mostly famous simply for being a New York celebrity. A career public servant in Hillary Clinton who has serious foreign policy, national security, and domestic policy experience and knowledge, versus a professional reality TV star who was a reality TV star before that term was ever invented.

Hillary Clinton losing to Donald Trump in a presidential election, would be like George H.W. Bush or Lyndon Johnson, losing a presidential election to Paris Hilton or any Kardashian you want to name. Its one of those I don't believe what I just saw moments and I just saw that. (To paraphrase the great sportscaster Jack Buck) Or the New England Patriots losing the Super Bowl to an expansion team.

I mean, would it have killed Hillary Clinton to eat a cheeseburger in Pittsburgh at any point between September and November last year. Stop for some chill in Cincinnati, have a steak in Columbus. Stop in Milwaukee or Madison, Green Bay and have some bratwurst and beer, even take in a football game. Sure! She probably would have eaten a few pounds and perhaps not have as much wine and cheese and caviar, or whatever fancy yuppie meals she's accustomed to having in New York, but it would have been for a good cause. Which is trying to get votes that you need when you're running for President of the United States.

There simply not enough yuppies people who hang out in coffee houses and work in new-tech, or as college professors for a Democrat to be elected President of the United States. And trying to rely on people who generally don't vote unless they see a candidate who uses the same smartphone as they do, watches the same reality show, shares the same coffee drink as their favorite coffee drink, listens to the same music, (referring to college students and other young adults) there not enough voters there to make up for average Americans who take voting seriously and want to feel a real connection with the people they're considering voting for. Talking about blue-collar and other middle class Democrats who voted for Donald Trump. As hard as it is to believe.

There's nothing average and working class about Donald Trump. Except for qualifications to be President of the United States. To say Donald Trump is an average Joe, or a blue-collar billionaire as he calls himself, is like saying that Tori Spelling and Paris Hilton are famous because of their great talents as entertainers. And not because of who their father's are. I mean, how many truck drivers do you know who own a golf club in Florida, as well as a vacation home and live in a penthouse in New York?

To try to sound serious for a minute (and that might be only a minute) the reasons why Hillary Clinton lost in 2016 are the same reasons she lost the Democratic presidential primary in 2008. It really gets down to one person which is the person that she sees in the mirror when she's the only one there. To put it bluntly she comes off as an actress and not a real person. Someone playing a part instead of a real person. People in Pennsylvania had more trust and faith in a guy selling Brooklyn bridges and South Dakota beach homes (in Donald Trump) than a woman who might very well be the most qualified presidential candidate we've ever seen.

And that has nothing to do with Russia, or the fact that Hillary is obviously a woman, especially when you consider that less than half of Caucasian women voted for her for president. American votes like to know who they're voting for generally and decided as much as I disagree with this, but that Donald Trump even with his never-ending list of faults that probably deserve multiple great books and documentaries to cover all of them (CNN has produced most of them) that he was a better suited to be President than she was. Even though they overwhelmingly believed that Hillary was more qualified to be President than Donald.

The last and most important reason why Hillary Clinton was appointed Secretary of State in 2009 instead of being sworn in as President of the United States or spending 2017 writing a book on why she lost the 2016 presidential election, instead of being too busy to write a book like that because she has an administration to run as President, has to do with entitlement. Being a Democrat and the first female major presidential candidate, is not enough reason for Americans in at least the states of Pennsylvania, Ohio, Michigan, and Wisconsin for them to vote for her to be President.

American voters are kind of stubborn and even prickly and actually expect their presidential candidates to offer them little annoying things like vision and reasons for voting for them. Other than the candidates saying, "hey, you might not like me, but you should hate my opponent more, because of these reasons." Not being Donald Trump in 2016 was not enough reason for Americans to elect Hillary Clinton as President. That is why she's not President Hillary Clinton right now. She didn't introduce the real Hillary Clinton to enough voters and give enough for them reasons to vote for her and not just against Donald Trump.



The Onion Highlights From The First 2016 Presidential Debate

Monday, September 18, 2017

Inside Edition: Bonnie Strauss- 1992 Feature on Jayne Mansfield

Source: This piece was originally posted at The Daily Review

The man anchoring this show might look familiar to all you political and news junkies out there. Especially cable news junkies, because before Bill O'Reilly got his big gig The O'Reilly Factor at Fox News Channel in the mid 1990s, he was anchor of the syndicated tabloid/news magazine show Inside Edition. I remember watching him on that show in the mid 1990s after work. But enough about The O'Reilly Factor, or as I prefer to call him The O'Reilly Finger and give him my middle finger to show how I feel about him.

Jayne Mansfield died in a horrible car crash in 1967 and she wasn't drunk or even driving the car. The two men in front that were supposed to protect her were simply too tired to work and drive that night and should have never been on that trip. Especially with other people with them and in back of the car. So that is why Inside Edition did this story about Jayne in 1992. Because even though she did make a brief impact in Hollywood in the mid 1950s, it was sort of like that talented QB who has a couple big years early in his career and perhaps even wins the Super Bowl, but gets hurt or thinks too much of himself and stops doing the work and finds himself even playing for bad teams, or completely out of the NFL. The fall ends up being as dramatic as the rise to the top floor in Hollywood. That was Jayne Mansfield's short Hollywood adventure.

 I disagree with James Bacon that Jayne wasn't a good actress though and was only famous because of her, lets say measurements. She was a good actress, but more importantly a very good entertainer. Who was also a very good singer and comedian and had she realized that early on and just took with that instead of trying to move to doing drama and serious roles, we might be talking about one of the best comedic actresses and comedians at least of her generation. Which is how Carol Burnett and Mary Tyler Moore are remembered today. Not as great dramatic actresses, but great comedians as they should be. But Jayne got bored with comedy and tried to move away from what made her great in Hollywood.
Inside Edition: Bonnie Strauss- 1992 Feature on Jayne Mansfield

Monday, September 4, 2017

Jerry Skinner: What Happened To Jayne Mansfield?

Source: This piece was originally posted at The Daily Review

What happened to Jayne Mansfield? Well as far as her death, she died in a car accident in June, 1967. She was a passenger and not driving and was headed to New Orleans from Biloxi, Mississippi just after midnight because Jayne had an interview that next day on a local New Orleans news show. They probably should have waited until the next morning to leave because as we know now the driver of the car was working and driving literally on no sleep.

And to make things worst they were trying to make an 87 mile trip in about an hour or so and were in a real rush. So you got a tired driver driving past midnight and in a hurry to get from Biloxi to Mississippi and you also had a lot of traffic on the road as well and two men who died in the accident in front of Jayne's car who were real impatient.

But I believe the better question as far as what really happened to Jayne Mansfield is not so much about how she died in the end. But why was she performing in nightclubs in Biloxi, Mississippi in 1967 when she was still only 34 years old. Instead of New York or Los Angeles making movies, or doing TV shows, performing comedy, perhaps putting her own music album together. Because she had real talent to do all these things as a versatile entertainer, but wasn't doing them by 1967.

One thing that I agree with the narrator in this video is that Jayne Mansfield wasn't a dumb blonde. The woman had a college degree and came from a successful family in Pennsylvania and later Texas. The daughter of a layer and teacher. She could act, she had a comedic wit, and a singer's voice. But she played the dumb sexy blonde as a career move in order to make money and bring publicity to herself.

But to go back to the fact that she was actually a good actress who could act. She played the dumb sexy blonde so well that people took her seriously as the dumb sexy blonde and didn't see her as anything else. Both her fans and studios, movie and TV executives. She voluntarily left Hollywood in the 1960s because she was tired of playing the dumb sexy blonde and wanted serious roles as an actress. She could have stayed in Hollywood and continued to play the dumb sexy blonde and had very successful career as a comedic actress and comedian in general.

But Jayne was no longer interested in those roles. I believe she would have made a great soap actress in the 1970s and 80s even on prime time had she lived a normal life in years, because of a great comedic timing and wit and she had real dramatic affect as well. But of course we'll never know that. I believe Saturday Night Live in the 1970s and 80s would have been a great place for her too, but we'll never know that either. By the early and mid 1960s Jayne's Hollywood career was basically over.

Not because Jayne was kicked out, but because she was tired of the roles that she was getting. As the comedy relief in movies and TV appearances and wanted to go further as an actress. And was left to doing b-movies and and even some pornographic film and even films of her simply traveling around the country and going to Europe simply to stay busy as an actress. Marilyn Monroe is famous for saying that it takes a smart woman to play the dumb blonde. Jayne played the dumb blonde so well that she had too many people fooled. Which is why she's always been known as the dumb sexy blonde and not much else even though she had so much else going for her as an entertainer and person.
Jerry Skinner: What Happened To Jayne Mansfield?

Monday, August 21, 2017

BBC: 1999 Jayne Mansfield Documentary

Source: BBC-
Source: This piece was originally posted at The Daily Review

I guess in one way Jayne Mansfield was a great actress and not just a great comedic actress and comedian, but a real great actress at least in the sense that she had so many people fooled. She wanted to be seen as the dumb blonde who needed her hot adorable sexy image to pay her bills. But in actuality she always knew what she was doing. An intelligent woman who wanted to be viewed as a bimbo and was such a great actress that she pulled that off. She had people thinking she was exactly as she came off which was as a bimbo.

Marilyn Monroe had the famous quote that it takes a smart woman to play the dumb blonde. Well that was Jayne Mansfield, the smart woman who played the dumb blonde. She knew what Hollywood was and how she could be successful in it and played her talents to the hilt. A hot adorable woman with a great body, but who also had a great sense of humor and comedic timing, who was also an accomplished singer. But knew exactly what people in Hollywood and what the fans noticed first and what they wanted.

Which was to see hot this adorable woman with the great curve appeal and then you add to that which was she was a great entertainer. Someone who should exchange wisecracks with funny people like Tom Ewell, Edmond O'Brien, Merv Griffin, Jack Benny, Cary Grant, and many others. She was better than Marilyn Monroe at least in this sense that Jayne knew she was really good and had made it and deserved what she accomplished. Unlike Marilyn who was battling mental illness and depression and was heavily medicated for a lot of her adult life and had even attempted suicide and been committed at one point.

Jayne had a plan from day one and knew what she needed to do to make it in Hollywood. But unfortunately Jayne Mansfield falls in the class of what could've happened if only and ends up dying at 34 in 1967 because of a car crash where she wasn't even driving because her and her crew were in a big hurry to meet a big appointment that they had in New Orleans the next morning.

By the time Jayne died in 1967 she was woking the nightclub circuit as a singer because her Hollywood career at burned out because the major studios no longer wanted to work with her. Jayne mentally in many ways was just as adorable as she was physically. She came off a little girl both physically and personally. And was fairly immature and developed bad habits like drinking heavily and not able to take criticism very well and work to expand her image so she could get better and bigger parts. Which is why she fell out of Hollywood and down to the nightclub circuit just to pay the bills and keep working.
BBC: 1999 Jayne Mansfield Documentary

Monday, August 7, 2017

TV Fanatic: The Jayne Mansfield Story 1980- CBS Wednesday Night Movie

Source: This piece was originally posted at The Daily Review

At risk of sounding old here, when I was growing up in the 1980s and even when I was in high school in the early 1990s. network original movies that were made and produced by the networks, were actually worth watching. CBS, NBC, and ABC, all had their own movie companies that were part of their entertainment divisions and had one night a week and sometimes multiple nights if they were showing a mini-series where they should show two-hour movie and sometimes longer than that. The networks would produce their own movies and of course would show movies that were from Hollywood and perhaps had been out for a year or so, or longer.

Very similar to what HBO, Showtime and others do on cable. Probably watched 5-6 of  James Bond series of movies  in the summer of 1992 alone on ABC. The networks did this because they were good at it and knew what movies to pick and how to promote them and what kind of cast they could put together and so-forth. But also because cable wasn't as dominant in the 1980s as it became in the 1990s. CBS, NBC, and ABC, were worried about each other. And not so much what HBO, Showtime, Cinemax, TNT, USA, etc, were doing on cable. Because the cable networks simply didn't have the resources that the broadcast networks had back then. And to certain extent today as well, but cable networks are much powerful and influential today than they were back then.

I only mention all of this because I'm trying to bore you into a coma. Especially if you weren't even born yet in the 1980s. Actually, because the Jayne Mansfield Story was a TV network movie that CBS put together with the producers, directors, creators, and writers of the movie. And The Jayne Mansfield Story and I'm only 4 years old when it came out in October, 1980 so I didn't see it and only finally heard about it a year or so ago and saw a video for it on YouTube and the finally got to see the whole movie on cable (of course) on Get-TV last February and saw it again a few months after that.

And this was a network movie where you have Loni Anderson as the lead actress playing Jayne Mansfield and Arnold Schwarzenegger playing her husband and long time lover Mickey Hargitay.  (The father of Mariska Hargitay) Loni was already a star at this point with her guest appearances on Threes Company in the late 1970s playing Jack Tripper's love interest. And then she lands WKRP in Cincinnati in 1978. (One of the best sitcoms of all-time) Arnold wasn't a star as an actor yet, but he was a superstar professional bodybuilder and already well-known at this point. Mickey Hargitay ws a superstar bodybuilder before become an actor as well.

This is a very good and funny movie and a lot of that has to do with Loni Anderson. Who has great comedic ability and one of the top comedic actresses of her generation at least. And she happens to playing a very funny woman in Jayne Mansfield who was very funny in real-life both intentionally and unintentionally, because she was so adorable and very immature and then add her comedic timing and you had a very funny woman who might still be working today had it not had been for her tragic car accident in 1967.

The movie covers Jayne's life from when she became star in the early 1950s looking for work and basically forcing herself on her future agent Bob Garrett (played by Ray Buktenica) and he tells her if he's going to represent Jayne that she's going to have to change her hair and a few other things. But sees potential in her as a comedian. And the movie goes from Jayne being discovered in the early 1950s where Hollywood wasn't ready for her alway up to her fall and struggling to find work in the early and mid 1960s, to her tragic death in 1967.

Loni Anderson is just plain hot, sexy, adorable and funny as Jayne Mansfield. She's as cute as a little girl with personality to match, but with body of a goddess with those legs, curves, chest and everything else, as well as the face. Arnold playing Jayne's wife is also great as a very loving and caring husband of Jayne who tries to look out for her best interests and tries to manage her immatureness and irresponsible behavior, but fails at both and they split up in the movie.

I believe Jayne Mansfield in real-life would have been proud for how Loni played her and at least give her credit for doing such a great and accurate job. Because I think knew herself real well and didn't try to be anyone other than herself even if she seemed overly adorable and even childish to even the people who loved and cared about her like Mickey Hargitay and her business people. This is a very entertaining movie that covers the struggles as Jayne making it as a great comedic actress, but someone who also wanted to be taken seriously in Hollywood and get serious parts with more meaning.
TV Fanatic: The Jayne Mansfield Story 1980- CBS Wednesday Night Movie

Tuesday, September 20, 2016

Sharon Kauffman: ABC News's 20/20 First Episode- 6/06/1978

Source: ABC News-
Source: This piece was originally posted at The New Democrat

"From ABC News- As the lead in to this video said ABC News, was a small player if not joke in the network news business in the 1970s. Th..."

As the lead in to this video said ABC News, was a small player if not joke in the network news business in the 1970s. They basically remained that way until the Iran Hostage Crisis in 1979-80 that launched Nightline with Ted Koppel and their nightly newscast World News Tonight started drawing real ratings then, This Week With David Brinkley emerged in 1981, 20/20 became a hit when Barbara Walters and Hugh Downs, became the anchors of it. ABC Sports with their NFL coverage with Monday Night Football and their MLB coverage with Monday Night Baseball and their college football coverage and a handful of entertainment shows that they had especially in daytime, were really the only hits that the ABC network had. Back then America had two great broadcast networks in CBS and NBC, as far as entertainment, sports and news. With ABC giving you same type of programming, but without the hits and affiliates that the big two had in the 1970s. And being a distant third to CBS and NBC when it came to news, but entertainment as well.

I sort of look at ABC in the 1970s the way I look at Fox today, but with ABC putting a lot more emphasis on news. Fox still doesn't have much if any impact on network news other than their Sunday morning talk show. ABC was trying to be CBS and NBC at least as far as influence and in size, but until Roone Arledge took over ABC Sports in the 1970s and then later ABC News in the 1980s, they were a distant third. Rooney Arledge with Monday Night Football and then Monday Night Baseball and ABC Sports college football, 20/20 World News Tonight, Nightline, This Week With David Brinkley, is responsible for making ABC the powerhouse it is today. With the ability to compete with CBS and NBC, when it comes to entertainment, news and sports. And have the affiliates to be able to do that. Whatever you think of this version of 20/20 and I'll get to that later, this was the start of ABC becoming a force in network news.

It's a damn good thing that Barbara Walters and Hugh Downs, became the anchors of 20/20. Even for 1978 the layout of this first show with two no-name anchors and one of them not even being an American and the other making his living as a writer and not a broadcast journalist and the cheesy music (even for 1978) and covering stories like how greyhounds are treated, just showed you that ABC News wasn't quite ready for prime-time. CBS's 60 Minutes even though they had already been around for ten years at this point, looked so much better and more professional. It looked like a network news magazine show. And not some weekend morning show that mixes in soft stories with a few real news stories and interviews, to make the show look serious. But they were trying and got much better again when Hugh Downs and Barbara Walters, took over the show in 1979-80. And were together for twenty years and made 20/20 the hit that it still is today.
Sharon Kauffman: ABC News's 20/20 First Episode- 6/06/1978